THE INDIAN UPRISING Source for information on The Indian Uprising by Donald Barthelme, Reference Guide to Short Fiction dictionary. By: William T. Hathaway “The Indian Uprising” by Donald Barthelme is an iconic short story of the s heralding the defeat of the US empire. The Indian Uprising has 9 ratings and 1 review. Glenn said: The Indian Uprising is among the most popular of Donald Barthelme’s stories, one I.

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At the end of the story, the narrator and his friends Block and Kenneth are attacked by their enemies, with whom, the reader learns, Miss R is actually allied.

Written as the USA was mired in a hopeless war, as Native-Americans and African-Americans were rebelling against oppression, and as women were breaking out of the traditional roles they had been confined to, the story predicted the victory of these insurgents over the feeble old order. Bob simply gets more and more drunk and falls more and more in love. They could be creatures out of a dream or a guilty conscience. The narrator is excited by the possibility that Miss R. But here, in the world of the postmodern story, it is language.

The consumer objects that clutter their lives give them little comfort. His latest book, Radical Peace: But notice that he refers to them as the men in charge of the uprising. Topics for Further Study. In the late s, the time when this story was first published, photographs of Americans torturing Vietnamese first began appearing fairly regularly in magazines and newspapers.


The Indian Uprising | Introduction & Overview

By placing them together in the manner of pasting the image of a cartoon character on a dollar bill where George Washington should be, Barthelme creates a new entity in which both compositional elements retain their identity; indeed, it is the commentary these elements make about each other that forms the created work of art. This site uses Akismet to reduce spam. Others critics have focused on the narrator’s relationships with women, including Sylviawho seems to be his current loverand a thhe “you” who may be Sylvia or someone else.

Email required Address never made public. The implication may be that feminists are part of the same revolutionary force as guerrillas. Tualek Mini marked it as to-read Jun 06, His reports of fighting and torture are delivered in an impersonal, matter-of-fact tone. What reports do such coupons bear? Most of the story’s other characterssome critics have argued, that they are not characters at all but vehicles for Barthelme’s verbal experimentationare women, and images of love and war are closely intertwined.

But does language really do that? Literary criticismNon-Fiction. Such self-regarding, writerly work is often known as “metafiction.

In postmodern fiction the characters are often highly artificial. Lists with This Book. Follow Us on Facebook. Donald Barthelme’s brothers Frederick – and Steven are also respected fiction writers and teachers at The University of Southern Mississippi.

“The Indian Uprising” by Donald Barthelme

The door being made into a table is an example of this. The United States Of America. To see what your friends thought of this book, please sign up. At the story’s end, the narrator is taken prisoner and presented to a “Clemency Committee,” thanks to Miss R. Have some more booze, Bob, as that will solve all your problems.


“The Indian Uprising” by Donald Barthelme – Literary Yard

It has transformed itself into a kind of football game, with referees running out onto the field. There are such happenings in the real world as cities besieged by armies, just as a staple of American historical lore is the frontier Indian attack. The orderly life there is being swept away.

Although meaning is viewed as contingent, not rooted in any a priori absolutes, it is still possible. Miss R is the teacher to whom the narrator’s friends send him for further education.

Marion and Donald remained wed until his death from throat cancer. Learn more about citation styles Citation styles Encyclopedia.

Another instance of uncertainty is when the captured Comanche becomes Gustav Aschenbach, the Thomas Mann character. They are trying to show that meaning is shifting and impermanent, that knowledge and communication are dubious and subjective, not dependable.

But then the second sentence contradicts these expectations with the equally familiar but contextually dissonant reference to an entirely different style of warfare, the frontier upprising of cowboys and Indians: